David Ševčík

* 1978

  • "In the 1990, there was a home-made furnace in nearly every garage making glass fruits and trinkets that would sell well. Countless. Everybody had a machine at home, painted at home, had a kiln in the garage. Blowing glass in garages was a total trip. Just imagine someone having a furnace in their house and creating these days! We made a lot of replicas, old vintage glass. Loads of workshops did that. Nowadays, it's scaled back. It's a natural evolution. If you walk into a glass studio today, you'll find accomplished craftsmen, a solid business plan, and small family businesses doing a craft they can stand behind."

  • "I remember the revolution very well and I also remember seeing my father cry for the first time. I come from a family whose friends were dissidents or on the verge of being dissidents. I remember the name Havel from the socialist era, not after the revolution only. When we were kids and were playing and someone came for a visit, they would talk about a Havel, so I remember that in that context. So when the revolution was on, our family perceived it very strongly. We never missed any of the rallies in the squares in Nový Bor. I remember our family friend Lenka used to come to our place and bring stuff from Prague, printed documents, photos, posters, which were then distributed further, and that it was a beautiful period. Thinking back, I realise the emotion of 'something was really happening'."

  • "Sometimes it's not about big things; sometimes it's about someone having a real problem with the system - for example, our family friends the Vašinas who lived in Nový Bor: I know their home was bugged. They had signed Charter 77 and my parents visited them. I think a lot of people in this country didn't do that just to keep peace of mind. Our family friend Míla Štědra used to hide the instruments that The Plastic People of the Universe played. It was about my parents fiercely hating the communists and the weakness associated with them."

  • Celé nahrávky
  • 1

    Liberec, 26.06.2024

    (audio)
    délka: 02:13:38
Celé nahrávky jsou k dispozici pouze pro přihlášené uživatele.

I follow the credo: Don‘t be afraid to live

David Ševčík in 2024
David Ševčík in 2024
zdroj: Post Bellum

David Ševčík was born on 2 June 1978. His father Václav Ševčík worked as a glass cutter in Nový Bor. His mother Ivana Ševčíková, née Filipi, worked in the theatre. David Ševčík completed the high school of forestry in Hejnice; he studied at the high school of glass technology in Nový Bor for a year. He served in the military as a driver in the Doupov Mountains. From 1998 onwards, he gained professional experience in the glassworks of Hantich, Rückl, Ajeto in Lindava and TGK in Skalice near Česká Lípa, where he worked with many Czech and foreign glass designers including Jiří Šuhájek. He went to Denmark in 2004 to work at a small glass studio for three years. He also went to France and Leerdam, Netherlands to study glass. In 2008, he flew to Sydney, Australia where he blew and cut glass in the Defuse studio, made drinking glasses and glass objects and installations for architecture. He coordinated large-scale glass projects and light installations for Lasvit Nový Bor in Australia. On returning to the Czech Republic in 2015, he joined Lasvit as a manager. In 2017 he became the director of Ajeto, the largest Czech art glass factory in Lindava which Lasvit acquired. He helped Ajeto get into the black ink. He works with designer and university teacher Maxim Velčovský who is also Lasvit‘s creative director, and with other successful glass artists such as František Jungvirt, Rony Plesl and Lukáš Jabůrek. Thanks to sound provisions, Ajeto has managed to overcome the challenges of the covid epidemic and the energy crisis in 2020-2024. The company is involved in the International Glass Festival IGS in Nový Bor and the Crystal Valley project. David Ševčík lived in Nový Bor in 2024. We were able to record his story thanks to the financial support of Lasvit.